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Nella giornata di ieri si è tenuta al 50° Comic-Con International di San Diego la cerimonia di premiazione degli Eisner Award – gli Oscar del fumetto
ecco tutti i vincitori divisi per categoria
Best Short Story
“The Talk of the Saints” di Tom King e Jason Fabok, in Swamp Thing Winter Special (DC);
“Get Naked in Barcelona” di Steven T. Seagle e Emei Olivia Burrell, in Get Naked (Image);
“The Ghastlygun Tinies” di Matt Cohen e Marc Palm, in MAD Magazine #4 (DC);
“Here I Am” di Shaun Tan, in I Feel Machine (SelfMadeHero);
“Life During Interesting Times” di Mike Dawson (The Nib);
“Supply Chains” di Peter e Maria Hoey, in Coin-Op #7 (Coin-Op Books).
Best Single Issue/One-Shot
Vincitore: Peter Parker: The Spectacular Spider-Man #310, di Chip Zdarsky (Marvel).
Beneath the Dead Oak Tree, di Emily Carroll (Shortbox);
Black Hammer: Cthu-Loouise, di Jeff Lemire e Emi Lenox (Dark Horse);
No Better Words, di Carolyn Nowak (Silver Sprocket);
The Terrible Elisabeth Dumn Against the Devils in the Suits, di Arabson, tradotto da James Robinson (IHQ Studio/Image).
Best Continuing Series
Giant Days, di John Allison, Max Sarin e Julaa Madrigal (BOOM! Box);
Batman, di Tom King e altri (DC);
Black Hammer: Age of Doom, di Jeff Lemire, Dean Ormston e Rich Tommaso (Dark Horse);
Gasolina, di Sean Mackiewicz e Niko Walter (Skybound/Image);
The Immortal Hulk, di Al Ewing, Joe Bennett e Ruy José (Marvel);
Runaways, di Rainbow Rowell e Kris Anka (Marvel).
Best Limited Series
Mister Miracle, di Tom King e Mitch Gerads (DC);
Batman: White Knight, di Sean Murphy (DC);
Eternity Girl, di Magdalene Visaggio e Sonny Liew (Vertigo/DC);
Exit Stage Left: The Snagglepuss Chronicles, di Mark Russell, Mike Feehan e Mark Morales (DC);
X-Men: Grand Design: Second Genesis, di Ed Piskor (Marvel).
Best New Series
Gideon Falls, di Jeff Lemire e Andrea Sorrentino (Image);
Bitter Root, di David Walker, Chuck Brown e Sanford Green (Image);
Crowded, di Christopher Sebela, Ro Stein e Ted Brandt (Image);
Isola, di Brenden Fletcher e Karl Kerschl (Image);
Man-Eaters, di Chelsea Cain e Kate Niemczyk (Image);
Skyward, di Joe Henderson e Lee Garbett (Image).
Best Publication for Early Readers
Johnny Boo and the Ice Cream Computer , di James Kochalka (Top Shelf/IDW);
Petals, di Gustavo Borges (KaBOOM!);
Peter & Ernesto: A Tale of Two Sloths, di Graham Annable (First Second);
This Is a Taco! di Andrew Cangelose e Josh Shipley (CubHouse/Lion Forge);
Tiger Vs. Nightmare, di Emily Tetri (First Second).
Best Publication for Kids (9-12 anni)
Vincitore: The Divided Earth, di Faith Erin Hicks (First Second);
Aquicorn Cove, di Katie O’Neill (Oni);
Be Prepared, di Vera Brosgol (First Second);
The Cardboard Kingdom, di Chad Sell (Knopf/Random House Children’s Books);
Crush, di Svetlana Chmakova (JY/Yen Press);
Best Publication for Teens
The Price and the Dressmake, di Jen Wang (First Second);
All Summer Long, di Hope Larson (Farrar Straus Giroux);
Gumballs, di Erin Nations (Top Shelf/IDW);
Middlewest, di Skottie Young e Jorge Corona (Image);
Norroway, Book 1: The Black Bull of Norroway, di Cat Seaton e Kit Seaton (Image);
Watersnakes, di Tony Sandoval, tradotto da Lucas Marangon (Magnetic/Lion Forge).
Best Humor Publication
Giant Days, di John Allison, Max Sarin e Julia Madrigal (BOOM! Box);
Get Naked, di Steven T. Seagle e altri (Image);
MAD Magazine, adattato da Bill Morrison (DC);
A Perfect Failure: Fanta Bukowski 3, di Noah Van Sciver (Fantagraphics);
Woman World, di Aminder Dhaliwai (Drawn & Quartely).
Best Anthology
Puerto Rico Strong, adattato da Marco Lopez, Desiree Rodríguez, Hazel Newlevant, Derek Ruiz e Neil Schwartz (Lion Forge);
Femme Magnifique: 50 Magnificent Women Who Changed the World, adattato da Shelley Bond (Black Crown/IDW);
Twisted Romance, adattato da Alex de Campi (Image);
Where We Live: A Benefit for the Survivors in Las Vegas, adattato da Will Dennis, curato da J.H. Williams III e Wendy Wright-Williams (Image).
Best Reality-Based Work
Is This Guy for Real? The Unbelievable Andy Kaufman, di Box Brown (First Second);
All the Answers: A Graphic Memoir, di Michael Kupperman (Gallery 13);
All the Sad Song, di Summer Pierre (Retrofit/Big Planet);
Monk! di Youssef Daoudi (First Second);
One Dirty Tree, di Noah Van Sciver (Uncivilized Books).
Best Graphic Album
My Heroes Have Always Been Junkies, di Ed Brubaker e Sean Phillips (Image);
Bad Girls, di Alex de Campi e Victor Santos (Gallery 13);
Come Again, di Nate Powell (Top Shelf/IDW);
Green Lantern: Earth One Vol. 1, di Corinna Bechko e Gabriel Hardman (DC);
Homunculus, di Joe Sparrow (ShortBox);
Sbarina, di Nick Drnaso (Drawn & Quarterly).
Best Graphic Album (Ristampa)
The Vision hardcover, di Tom King, Gabriel Hernandez Walta e Michael Walsh (Marvel);
Berlin, di Jason Lutes (Drawn & Quarterly);
Girl Town, di Carolyn Nowak (Top Shelf/IDW);
Upgrade Soul, di Ezra Claytan Daniels (Lion Forge);
Young Frances, di Hartley Lin (AdHouse Books).
Best Adaptation from Another Medium
“Frankenstein” di Mary Shelley, in Frankenstein: Juni Ito Story Collection, adattato da Junji Ito, tradotto da Jocelyne Allen (VIZ Media);
Anne Frank’s Diary: The Graphic Adaptation, adattato da Ari Folman e David Polonsky (Pantheon);
Out in the Open di Jesús Carraso, adattato da Javi Rey, tradotto da Lawrence Schimel (SelfMadeHero);
Speak: The Graphico Nvel, di Laurie Halse Anderson e Emily Carroll (Farrar Straus Giroux);
To Build a Fire: Based on Jack London’s Classic Story, di Chabouté (Gallery 13).
Best U.S. Edition of International Material
Rebel Ladies Who Rocked the World, di Penelope Bagieu (First Second);
About Betty’s Boob, di Vero Cazot e Julie Rocheleau, tradotto da Edward Gauvin (Archaia/BOOM!);
Herakles Book 1, di Edouard Cour, tradotto da Jeremy Melloul (Magnetic/Lion Forge);
Niourk, di Stefan Wul e Olivier Vatine, tradotto da Brandon Kander e Diana Schutz (Dark Horse);
A Sea of Love, di Wilfrid Lupano e Grégory Panaccione (Magnetic/Lion Forge);
Best U.S. Edition of International Material (Asia)
Tokyo Tarareba Girls, di Akiko Higashimura (Kodansha);
Abara: Complete Deluxe Edition, di Tsutomu Nihei, tradotto da Sheldon Drzka (VIZ Media);
Dead Dead Demon’s Dedede Destruction, di Inio Asano, tradotto da John Werry (VIZ Media);
Laid-Back Camp, di Afro, tradotto da Amber Tamosaitis (Yen Press);
My Beijing: Four Stories of Everyday Wonder, di Nie Jun, tradotto da Edward Gauvin (Graphic Universe/Lerner).
Best Archival Collection/Project
Star Wars: Classic Newspaper Strips, vol. 3, di Archie Goodwin e Al Williamson, adattato da Dean Mullaney (Library of American Comics/IDW);
Pogo, vol. 5: Out of this World at Home, di Walt Kelly, adattato da Mark Evanier e Eric Reynolds (Fantagraphics);
Sky Masters of the Space Force: The Complete Sunday Strips in Color (1959-1960), di Jack Kirby, Wally Wood e altri, adattato da Ferran Delgado (Amigo Comics);
The Temple of Silence: Forgotten Words and Worlds of Hebert Crowley, di Justin Duerr (Beehive Books);
Thimble Theatre and the Pre-Popeye Comics di E.C. Segar, adattato da Peter Maresca (Sunday Press).
Best Archival Collection/Project (Comic Books)
Bill Sienkiewicz’s Mutants and Moon Knights… And Assassins… Artifact Edition, adattato da Scott Dunbier (IDW);
Action Comics:80 Years of Superman Deluxe Edition, adattato da Paul Levitz (DC);
Dirty Plotte: The Complete Julie Doucet (Drawn & Quarterly);
Madman Quarter Century Shindig, di Mike Allred, adattato da Chris Ryall (IDW);
Tery Moore’s Strangers in Paradise Gallery Edition, adattato da Joseph Melchior e Bob Chapman (Abstract Studio/Graphitti Designs);
Will Eisner’s A Contract With God: Curator’s Collection, adattato da John Lind (Kitchen Sink/Dark Horse).
Best Writer
Tom King per Batman, Mister Miracle, Heroes in Crisis, Swamp Thing Winter Special (DC);
Alex de Campi per Bad Girls (Gallery 13) e Twisted Romance (Image);
Jeff Lemire per Black Hammer; Age of Doom, Doctor Star & the Kingdom of Lost Tomorrows, Quantum Age (Dark Horse), Descender, Gideon Falls e Royal City (Image);
Mark Russell per Exit Stage Left: The Snagglepuss Chronicles, Green Lantern/Huckleberry Hound, Lex Luthor/Porky Pig (DC) e Lone Ranger (Dynamite);
Kelly Thompson per Nancy Drew (Dyanmite), Hawkeye, Jessica Jones, Mr. & Mrs. X, Rogue & Gambit, Uncanny X-Men e West Coast Avengers (Marvel);
Chop Zdarsky per Peter Parker: the Spectacular Spider-Man e Marvel Two-in-One (Marvel).
Best Writer/Artist
Jen Wang, The Prince and the Dressmaker (First Second);
Sophie Campbell, Wet Moon (Oni);
Sophie Campbell, Wet Moon (Oni);
Nick Drnaso, Sabrina (Drawn & Quarterly);
David Lapham, Lodger (Black Crown/IDW) e Stray Bullets (Image);
Nate Powell, Come Again (Top Shelf/IDW);
Tony Sandoval, Watersnakes (Magnetic/Lion Forge).
Best Penciller/Inker or Penciller/Inker Team
Vincitore: Mitch Gerads, Mister Miracle (DC);
Matías Bergara, Coda (BOOM!);
Karl Kerschl, Isola (Image);
Sonny Liew, Eternity Girl (Vertigo/DC);
Sean Phillips, Kill or Be Killed, My Heroes Have Always Been Junkies (Image);
Yanick Paquette, Wonder Woman Earth One, vol. 2 (DC).
Best Painter/Multimedia Artist
Dustin Nguyen, Descender (Image);
Lee Bermejo, Batman: Damned (DC);
Carita Lupatelli, Izuna Book 2 (Humanoids);
Gregory Panaccione, A Sea of Love (Magnetic/Lion Forge);
Tony Sandoval, Watersnakes (Magnetic/Lion Forge).
Best Cover Artist (for multiple covers)
Jen Bartel per Blackbird (Image) e Submerged (Vault);
Nick Derington per Mister Miracle (DC);
Karl Kerschl per Isola (Image);
Joshua Middleton per le variant di Batgirl e Aquaman (DC);
Julian Tedesco per Hawkeye e Life of Captain Marvel (Marvel);
Best Coloring
Matt Wilson per Black Cloud, Paper Girls, The Wicked + The Divine (Image), The Mighty Thor e Runaways (Marvel);
Jorrdie Bellaire per Batgirl, Batman (DC), The Divided Earth (First Second), Days of Hate, Dead Hand, Head Lopper, Redlands (Image), Shuri e Doctor Strange (Marvel);
Tamra Bonvillain per Alien 3 (Dark Horse), Batman, Doom Patrol (DC), Moon Girl and Devil Dinosaur e Multiple Man (Marvel);
Nathan Fairbairn per Batman, Batgirls, Birds of Prey, Wonder Woman Earth One, vol. 2 (DC) e Die!Die!Die! (Image);
Matt Hollingsworth per Batman: White Knight (DC), Seven to Eternity e Wytches (Image).
Best Lettering
Todd Klein per Black Hammer: Age of Doom, Neil Gaiman’s A Study in Emerald (Dark Horse), Batman: White Night (DC), Eternity Girl, Books of Magic (Vertigo/DC) e The League of Extraordinary Gentlemen: The Tempest (Top Shelf/IDW);
David Aja per Seeds (Berger Books/Dark Horse);
Jim Campbell per Breathless, Calexit, Gravetrancers, Snap Flash Hustle, Survival Fetish, The Wilds (Black Mask), Abbott, Alice: Dream to Dream, Black Badge, Clueless, Coda, Fence, Firefly, Giant Days, Grass Kings, Lumberjanes: The Infernal Compass, Low Road West, Sparrowhawk (BOOM), Angelic (Image) e Wasted Space (Vault);
Alex de Campi per Bad Girls (Gallery 13)e Twisted Romance (Image);
Jared Fletcher per Batman: Damned (DC), The Gravediggers Union, Moonshine, Paper Girls e Southern Bastards (Image).
Best Comics-Related Periodical/Journalism
Back Issue, adattato da Michael Eury (TwoMorrows);
PanelxPanel magazine, adattato da Hassan Otsmane-Elhaou;
The Columbus Scribbler, adattato da Brian Canini;
Comicosity, adattato da Aaron Long e Matt Santori;
LAAB Magazine #0: Dark Matter, adattato da Ronald Wimberley e Josh O’Neill (Beehive Books).
Best Comics-Related Book
Drawn to Purpose: American Women Illustrators and Cartoonists, di Martha H. Kennedy (University Press of Mississsipi);
Comic Book Implosion: An Oral History of DC COmics Circa 1978, di Keith Dallas e John Wells (TwoMorrows);
The League of Regrettable Sidekicks, di Jon Morris (Quirk Books);
Mike Grell: Life is Drawing Without an Eraser, di Dewey Cassell con Jeff Messer (TwoMorrows);
Yoshitaka Amano: The Illustrated Biography – Beyuond the Fantasy, di Florent Gorges, tradotto da Laure Dupont e Annie Gullion (Dark Horse).
Best Academic/Scholarly Work
Sweet Little C*nt: The Graphic Work of Julie Doucet, di Anne Elizabeth Moore (Uncivilized Books);
Between Pen and Pixel: Comics, Materiality and the Book of the Future, di Aaron Kashtan (Ohio State University Press);
Breaking the Frames: Populism and Prestige in Comics Studies, di Marc Singer (University of Texas Press);
The Goat-Getters: Jack Johnson, the Fight of the Century, and How a NBunch of Raucous Cartoonists Reinvented Comics, di Eddie Campbell (Library of American Comics/IDW/Ohio State University Presas);
Incorrigibles and Innocents, di Lara Saguisag (Rutgers University Press).
Best Publication Design
Will Eisner’s A Contract with God: Curator’s Collection, design di John Lind (Kitchen Sink/Dark Horse);
A Sea of Love, design di Wilfrid Lupano, Grégory Panaccione e Mike Kennedy (Magnetic/Lion Forge);
The Stan Lee Story Collector’s Edition, design di Josh Baker (Taschen);
The Temple of Silence: Forgotten Worlds of Herbert Crowley, design di Paul Kepple e Max Vandenberg (Beehive Books);
Terry Moore’s Strangers in Paradise Gallery Edition, design di Josh Beatman/Brainchild Studios/NYC (Abstract Studio/Graphitti Designs).
Best Digital Comic
Umami,di Ken Niimura (Panel Syndicate);
Aztec Empire, di Paul Guinan, Anina Bennett e David Hahn;
The Fürer and the Tramp, di Sean McArdle, Jon Judy e Dexter Wee;
The Journey, di Pablo Leon (Rewire);
The Stone King, di Kel McDonald e Tyler Crook (comiXology Originals).
Best Webcomic
The Contradictions, di Sophie Yanow;
Lavender Jack, di Dan Schkade (WEBTOON);
Let’s Play, di Mongie (WEBTOON);
Lore Olympus, di Rachel Smythe, (WEBTOON);
Tiger, Tiger, di Petra Erika Nordlund, (Hiveworks).
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